Tuesday, November 18
We began our day with another long cab ride to Richard Learoyd’s studio, not far from Shonibare’s. Richard and his studio assistant, Melina, greeted us with open arms—warm, open, and genuinely friendly. Richard is a big man with unruly gray hair.



He explained his camera by actually taking us inside the camera while Melina posed outside as the subject. Then he showed us the huge old developer. As far as he knows, this is the only system of its kind still operating in the world. Do I completely understand it? No. That’s why he’s the artist, and I’m the airplane salesman.
Next we began to look at his work. WOW! The first piece is a nude printed on canvas with line drawings on her body. I love it and we are just started! Actually, Tessa could you include all the works he showed us. By the way, this Blog would not work without our collaboration. I take the daily photos and write the text – Tessa corrects my text and adds the appropriate photos. THX Tessa!
All of his photographs are unique. The studio has a huge inventory (see the photo above of the ends of all the tubes). Everything is cataloged on the computer. Richard calls out the year and number, and Melina retrieves the corresponding image roll. They’re all the same size—dictated by the scale of his pinhole camera. Using strong magnets, he attaches the print at the top and rolls it down. Each one is a remarkable work of art, and we’re only seeing a small selection.
There was a nude of Agnes, the late teen who was the subject of the work we own. She’s now in her thirties, with two children. Karen’s favorite piece was the wilting lilies. Mine was the nude with the black lacing. And remember—we are seeing only a few out of hundreds in the inventory. We are having so much fun. This is why we collect: to meet the artists and the people who help make their work possible.
Our time with Karen LaMonte in Prague, then Sheila Hicks in Paris, and now Richard Learoyd—it all matters so much. This is our passion. It keeps us alive and moving forward.
Richard mentioned several times a place called Bentley’s in central London—“the best seafood anywhere,” he insisted. After two wonderful hours in the studio, we called an Uber and headed there. He was right. The Dover sole was outstanding—second only to Cipriani, according to Karen. We finished with a Baked Alaska. We will definitely be returning.




Several galleries were on our afternoon schedule, all within walking distance. The first was closed for installation. The second had a fabulous show of giant piles of discarded rope—unbelievable. We exited onto the main shopping street of Mayfair, and there, right in front of us, was Christian Dior, fully dressed for Christmas.
Remembering that Sheila Hicks created a “purse / handbag / artwork” for Dior, we went inside to inquire. A young man (in very casual clothes—must be the “in thing”) confirmed it. This is their 10th anniversary of collaborating with artists, and they had only one reservation left for the Hicks extravaganza in Karen’s red. (I used the “only one left” line for years when selling airplanes.) He then showed us beautiful artworks throughout the signature store. The Christmas decorations were spectacular.
We had no luck with the other galleries nearby, and it was getting late. After our very satisfying lunch, which ended around 3:00, I asked Tessa to cancel dinner. On our walk back to the hotel, Karen “tripped” again—this time into the gift shop of Kit Kemp, the designer and owner of our hotel. We shipped her selection home—unsure what the tariffs will be. It’s similar to shipping vodka home.
A few steps later we were back at the hotel and slipped into the cocktail lounge (remember when we simply called it “the bar”?). They know my DuncanTini; Karen had a Limoncello. We lingered for a couple of hours—great people-watching.

I set the alarm for 4:00 a.m.—we have a 6:00 taxi reserved. What a fabulous time we’ve had. And to Kathryn and Marc: thank you for your friendship and support. Africa next, perhaps? Of course, we’ll see you very soon in Puerto Vallarta.
We are such fortunate souls—for the time, the resources, the curiosity, the fearlessness, the spirit of adventure. Until the next journey!
Goodbye, and thanks for joining us.
Robert
































































































